Tweet Way back when, I tried to start a series around here on some of the specialized storytelling terminology I’ve been learning in my Master of Professional Writing course. I got into Plates and Hooks and Scene Questions and Story Questions, and that diverted me off into a separate series on Story Questions. I’m not […]
Tweet It was a couple weeks ago when I talked about the importance of designing good story questions. Since then I’ve talked about the diverse properties of bones, and some rules for using story questions to build a structurally sound novel. Leaving out the cute story about my kid, most of the discussion has been […]
Tweet I’ve spent a couple weeks trying desperately to finish up Taming Fire for publication this month. But last time we talked, it was about the questions that keep people reading your stories, and the big story question that drives your story forward. I said offhand that well-designed story questions and scene questions make it […]
Tweet This week we’re talking about industry terms, and specifically focusing on the questions that keep people reading. Yesterday I talked about the gimmicks–hooks and plates–but today I want to talk about your load-bearing questions. These are the questions that form the foundation of your story. They’re the questions that drive your protagonist through some […]
Tweet I started the week talking about writing 17,000 words in three days…and all the catastrophes that made it necessary in the first place. Then yesterday I talked about a new writing technique I’ve been studying in class that pushes a novel toward lots of conflict and catastrophe. Today I want to make the connection. […]
Tweet Okay, I’ve been mentioning my Master of Professional Writing program left and right, but I want to say up front that full credit for the information in this week’s and next week’s posts goes to Deborah Chester. She’s the professor teaching my Writing the Novel class, and a lot of these ideas come straight […]
Tweet I’m pursuing a Master of Professional Writing degree at the University of Oklahoma. This semester, I’m taking one of the program’s three keystone classes, “Writing the Novel.” It involves two lectures on writing technique every week, but the core of it is the semester project. Over the space of just four months (almost five), […]
Tweet I’ve spent a couple weeks now talking about self-publishing. This week I promised to talk about my actual experiences with the process, and so I started that yesterday with a little bit of a grumpy glimpse into CreateSpace’s print-on-demand operation. I still use CreateSpace, though, and I still recommend it. You should go in […]
Tweet We’ve been talking about “debugging” your book — about committing to a cover-to-cover review that will make up the first stage in your document’s rewrite. With any luck you’ve had enough time by now to catch your breath. With any luck, opening up the book no longer feels you with the anxiety and frustration […]
Tweet I started the week with a story about learning to program, about learning the difference between typing computer code into a machine and actually writing a game. The difference (in case you skipped the story) is called “debugging.” And that’s where we are now with our novels. November’s done, our first draft is done, […]
