Tweet Part of my job these days–my actual job, for which I get paid–is being a writing coach. Obviously that’s most of the motivation for this site, too. And now that I’m finding some success as an indie writer, I even have fans contacting me to ask for tips on getting started as a storyteller. […]
I’ve spent the last few days getting scared out of my wits by a wholly unexpected source: Agatha Christie’s And Then There Were None.
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Also tagged Adverbs, Agatha Christie, And Then There Were None, Character Development, Fear, Inspirations, Murder Mystery, Muse, Narrative and Exposition, Point of View, Raymond E. Feist, Realism, Suspense, Ten Little Indians, The Human Condition
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Tweet Yesterday’s post on the narrative difference between conflict and adversity ended with some specific advice: Avoid adversity by putting malicious cause behind your protagonist’s setbacks. The best way to do that is to make your antagonist responsible, but sometimes it can be a challenge to follow through on that. The trick is to manage […]
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Also tagged Creative Writing, Deborah Chester, Document Structure, Hidden Story, Joshua Unruh, Master of Professional Writing, Prewriting, Storytelling, Teaching, Tips and Tricks, Writing Exercise
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Tweet Way back when, I tried to start a series around here on some of the specialized storytelling terminology I’ve been learning in my Master of Professional Writing course. I got into Plates and Hooks and Scene Questions and Story Questions, and that diverted me off into a separate series on Story Questions. I’m not […]
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Also tagged Alan Pogue, Catastrophe, Conflict, Creative Writing, Deborah Chester, Hidden Story, Master of Professional Writing, Revising, Scene Structure, Storytelling, Tips and Tricks, Writing Rules
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Tweet It was a couple weeks ago when I talked about the importance of designing good story questions. Since then I’ve talked about the diverse properties of bones, and some rules for using story questions to build a structurally sound novel. Leaving out the cute story about my kid, most of the discussion has been […]
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Also tagged Creative Writing, Deborah Chester, Document Structure, Prewriting, Revising, Rewriting, Storytelling, Teaching, Tips and Tricks, Writing Exercise, Writing Rules
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Tweet I’ve spent a couple weeks trying desperately to finish up Taming Fire for publication this month. But last time we talked, it was about the questions that keep people reading your stories, and the big story question that drives your story forward. I said offhand that well-designed story questions and scene questions make it […]
Tweet Way back in January I talked a little bit about playing karate with my little girl. At the time I had all kinds of things to say about her learning respect and trust and large motor skills all in one little activity. At the time, I referred to it as one of her favorite […]
Tweet At long last, I’m going to fulfill a promise made weeks ago. I’m going to teach you some storytelling terminology. As I admitted to Joshua Unruh yesterday, I tend to work off a couple different writing glossaries that use some overlapping but non-identical terms. That means when I say “plot point” in one context […]
Tweet Okay, I’ve been mentioning my Master of Professional Writing program left and right, but I want to say up front that full credit for the information in this week’s and next week’s posts goes to Deborah Chester. She’s the professor teaching my Writing the Novel class, and a lot of these ideas come straight […]
Tweet I love my job. Have I mentioned that? Well, let me mention it here and now: I love my job. I get to write, I get to read what my Writers Tribe writes, and I get to read all sorts of books in all sorts of genres. It’s exactly the job for me, and […]
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Also tagged Character, Cubby Greenwich, Dean Koontz, Grimbald and Clotilda, Milo, Point of View, Relentless, Shearman Waxx, Storytelling, Vivian Norby, Writer's Tribe
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