So your assignment is to craft a scene showing a strong character of the opposite sex. Give us 300-900 words, and show your work. Whatever aspect of gender writing troubles you, face it head-on, and then polish it up until you get it right. Or, as close to right as you can manage, anyway. A couple hours getting into that character’s head could make worlds of difference in your writing, and help you connect with readers who wouldn’t have given you a chance before.
Julie read my whole novel, and told me the female character was flat. Five hundred pages of adventure, magic, politics, armies at war and dragons in the air, and all she wanted to talk about was the love interest. The girl barely had two dozen pages! She barely had a backstory! But that’s all Julie wanted to talk about. I rolled my eyes at my “feminist friend,” but her comments bugged me.
Friday, February 26, 2010
Anyway. Write a Character Record Sheet. If you’re working in fantasy, dig up an RPG CRS like I was talking about yesterday (and you can email me if you don’t have one handy). If you’re working mainstream, or really any other genre, you’ll have to settle for real life. Develop a Facebook profile for your character. Either way, I want physical descripti0n, relationship status, family background, core beliefs, profession, and personal interests. Give me at least a full page of information.
Thursday, February 25, 2010
Maybe you don’t care at all about role-playing games. Maybe you rolled your eyes and growled “Nerd!” when I mentioned Dungeons and Dragons. It doesn’t matter. As a storyteller, that last paragraph should have your mouth watering. The job of the storyteller is to create characters that adhere to certain rules, that behave consistently and believably, that create a cohesive and rational experience out of of a bunch of people doing things their own way.
Thursday, February 18, 2010
Last week we talked about the Conflict Resolution Cycle, and the structure of a story.
So what’s missing? The end. Every story is a contractual agreement between the writer and the reader. Your readers give up their valuable time to read your story, and in exchange they expect you to give them a story — a satisfying beginning, middle, and end. That means you’ve got to do more than make interesting characters and conflict. You’re responsible for building a valuable conclusion, too.
Sit down at the poker table with four of your characters — whether you make up new ones for this assignment or mix and match from your works in progress. In 300-600 words, tell us about one hand, maybe just one round of bidding, but make it intense.
Saturday, January 16, 2010
Tweet A Sucker Born Every Minute When Aaron and I were discussing in what way I would be contributing to this blog, I told him he was allowed to give me one (1) assignment. He acknowledged this, seemed to agree to my terms–and then proceeded to give me assignments numbering two. That’s (2), if you […]
