Unstressed Syllables https://validator.w3.org/feed/docs/rss2.html Backstory: The Untold Story Re: Write – Backstory Exercise Backstory: A Case Study (Cline vs. King) Backstory: A Case Study (Koontz) What’s in a Focal Point? Love in an Elevator C.R.E.A.M. What a Bunch of Characters! Researching Your Setting Writing, (W)romance, and Wraiths Keeping It Consistent The Characters in Flux Re: Write – My Own Excerpt Who’s Your Reader? Designing Your Cover for Your Target Market (Part 2) Who’s Your Reader? Designing Your Cover for Your Target Market (Part 1) Readers in the Reticle Re: Write – Francesca’s Excerpt What Is “Hidden Story,” and Why Do You Need One? (W)riting, Relationships, and Romance The Second Draft: The Beginning of Editing The Characters in Orbit Guts and Bolts: An Immodest Proposal The Magic of Marketing: A Cautionary Tale Sharing the Burden The One Where You Get to Be Pygmalion The Character in the Middle Internal Monologue How to Design a Cover by the Genre Scoping Out the Competition Categorical Ground Zero Guts & Bolts: Have Dice Bag, Will Travel Choosing Your Categories Using a Style Guide Technical Tip: Filling Out a Product Page Don’t Shoot Arrows at People Kill Your Darlings: The Alpha and Omega of Stephen King Three Common Grammatical Mistakes: Commas How to Use a Style Guide How to Choose an Editor Before You Hire an Editor A Matter of Perspective Everything’s Written. What Now? The Cover Uncovered: Shopaholic Edition Weaponized Plot The State of Modern Publishing (Part 2) Your Prewriting Recipe for Mock Turtle Soup How to Find an Editor The Cover Uncovered: Quiet The Short Synopsis (Or: Don’t Fritz Your Circuits) Prewriting: Turn It Upside Down and Inside Out